Design as Inquiry
Design as Practice

Alouette
Identity as fabrication; typography as object
With FÖDA (2023 - 2024)
Copenhagen, DK

For Alouette—a Michelin-starred fine dining space by architect David Thulstrup (of Noma 2.0 and Ikoyi fame)—the work began at the edges: light, metal, shadow, and the quiet disciplines that make a room feel inevitable.

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The Stonebreaker

An heirloom burdened by optimism
With FÖDA (2020 - 2025) (for Specialized Real Estate Group)
The Ozarks, USA

The Stonebreaker behaves like a house with a past that never got demolished, only edited. Set on Fayetteville’s Markham Hill, it threads a restored Victorian home into a new 78-key retreat: hotel, restaurant, bar, and private members’ club, often described by media as “timeless,” which usually means someone has made a hundred decisions so you don’t have to notice any of them.

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Materiality (Unattended Branding)
How objects and surfaces carry the brand when nobody is looking
Studio notes + reference library, (2018 - present)
Various locations

Brands don’t live in decks. They live in the things that get smudged, wiped down, chipped, held, and grabbed without a second thought. Menus, holders, signage, check presenters, coasters, door labels, edges, seams. Treated properly, this supporting cast does something quietly subversive: it holds the identity together when no one is “doing branding.”

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Houston Symphony
Identity as notation; Jones Hall as time machine
With FÖDA (2021 - 2023)
Houston, TX, USA

Houston Symphony, Jones Hall, and Music Director Juraj Valčuha formed the working triangle: a century-old institution, a room built to contain it, and a new era walking onto the podium. The project started with conversation, not composition. Time with musicians and leadership, listening for how the Symphony actually lives in Houston rather than how it describes itself.

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A Golden State
A system that holds, even when the “brand” disappears
With FÖDA (2019 - 2025)
California, USA

A Golden State is built like a landscape. A color-coded suite and pyramidal typographic system, each shade mapped to a specific strain and name, anchored to the idea of product as an extension of land and Mt. Shasta snowmelt. The system has picked up multiple recognition at the Dieline Awards along the way, which feels about right for packaging this obsessive.

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Shruthi Manjula Balakrishna
Shruthi /ˈʃruːθiː/ SHROO-thee




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Marginalia
Design is equal parts rebellion and responsibility.

It asks for logic, then laughs at it. It rewards curiosity, then punishes complacency. Somewhere between rigor and risk lies meaning; that’s where I work.

I am not a graphic designer so much as a research-led systems thinker with a weakness for beautiful type and chaos. I lead with questions, not to be difficult (though that has been said with affection), but because I believe design is less about answers and more about reframing what we think we know.

20 years in, my background remains delightfully messy: designer, researcher, strategist, educator, anthropologist in denial, and currently a Doctor of Design candidate studying how crisis reshapes consumption. At FÖDA® in Austin, I work with a team that treats curiosity like oxygen. We don’t do “cool.” We do thoughtful.

My process is part science, part séance; a polite argument between reason and intuition. Whether branding a hotel or decoding behavior, I turn data into empathy and ideas into forms that usually behave. I read and write as much as I draw. I reference as much as I riff. And I am convinced that good design isn’t always the prettiest in the room, but it is always the one that makes you pause, tilt your head, mutter “hmm”, and reconsider what you thought you knew.

I am interested in the seams; the bits most people skip over, the why behind the why, the awkward middle where something real happens. So no, there’s no personal style here, just a way of thinking.

Restless by nature. Rigorous by habit. Rebellious only when necessary. I take design seriously. Everything else is negotiation.





Linguistic Proficiency
English
Fluent

ಕನ್ನಡ (Kannada)
Fluent

हिन्दी (Hindi) 
Fluent

தமிழ் (Tamil)
Conversational

తెలుగు (Telugu) 
Conversational




Education Doctor of Design Candidate 
(Design & Psychology)
North Carolina State University
Raleigh, NC, USA 

Master of Fine Arts 
Vermont College of Fine Arts
Montpelier, VT, USA 

Bachelor of Arts 
The Art Institute of Colorado
Denver, CO, USA




Professional PracticeDirector, Brand & Research 
FÖDA®, Austin, TX, USA 
(since 2019) 

Sr. Brand Designer, Associate 
Perkins and Will 
Austin, TX, USA 
2019

Sr. Brand Designer 
Gensler 
Austin, TX, USA 
2018 - 2019

Sr. Designer 
VSA Partners 
Chicago, IL, USA 
2018

Designer 
Cactus 
Denver, CO, USA 
2015 - 2018

Graphic Design Intern 
LRXD
Denver, CO, USA
2014 - 2015

Graphic Design Intern 
Shift Workspaces
Denver, CO, USA 
2014

Account & Brand Manager 
Opus CDM
Bangalore, India 
2008 - 2011

Client Servicing Executive 
Adverto Advertising 
Bangalore, India 
2006 - 2008

Client Servicing Executive 
Dialog Inc. 
Bangalore, India 
2006




Academic Appointments
Advisory Board Member
Clover Park Technical College
Lakewood, WA, USA
(2023 - present)

Adjunct Professor
University of Texas
Austin, TX, USA
2021, 2024

Adjunct Faculty
DePaul University
Chicago, IL, USA
2021

Adjunct Professor
St. Edward’s University
Austin, TX, USA 
2020 - 2021

Adjunct Faculty
Art Institute of Austin
Austin, TX, USA
2019 - 2020




Academic Engagements

Guest Critic, MFA/CD Residency
Texas State University
School of Art & Design
2025

Guest Speaker
Anderson University
South Carolina
2024

Alumni Panelist
Vermont College of Fine Arts
Montpelier, Vermont
2024

Panel Moderator
5th Annual DDes Symposium
North Carolina State University
Raleigh, NC
2022

Guest Speaker
Anderson University
South Carolina
2022

Panelist
University of Texas at Austin
Capstone Exhibition
Austin, TX
2021

Panelist
Career Panel, “Trends in Contemporary Design”
DePaul University
Chicago, IL
2020

Speaker & Panelist
Design Incubation 5.3
Merrimack College
2019




Professional EngagementsSpeaker
TEDxNCState, North Carolina, USA
2026

Speaker
SXSW / SXSW EDU, Austin, TX, USA 
2026

Speaker
ATypI Conference, Copenhagen, Denmark
2025

Leadership Workshop
Storyline Strategies, Palm Springs, CA, USA 
2025

Speaker
Brand New Conference, Austin, TX, USA
2022

Podcast Guest
“Ground and Gratitude,” episode: “Blending Strategy & Design with Shruthi Manjula Balakrishna”
2022

Podcast Guest
“Graphic Support Group,” Episode 18: “Adaptability”
2022

Communication Workshop
Transwestern, Chicago, IL, USA
2022

Speaker
AIGA GROW Conference, Austin, TX, USA
2020

Peer Reviewer
AIGA National Design Education Symposium
2020

Speaker
13th International Design Principles & Practices Conference, Saint Petersburg, Russia
2019

Speaker
CDM Research Colloquium, Chicago, IL, USA
2019

Keynote Speaker
SSGDS, AIGA Arkansas State, USA
2019

Portfolio Reviewer
AIGA Memphis, USA
2019

Judge
8th Annual SSGDS Graphic Design Show, AIGA Arkansas
2019

Branding Chair
AIGA Colorado Board of Directors , Denver, CO, USA
2016




Awards, Features & Fellowships
Feature
An Interior, "Ready to Stay" (SOAP)
2026

Exhibition
Hundred Points, Austin-São Paulo-Cairo-Helsinki
Austin, TX 2025

Feature
Print Magazine, "Global, Boundary-Pushing Graphic Design Converges in ATX Exhibition" (Hundred Points)
2025

Feature
The Architect’s Newspaper July/August issue, “Razorback to the Land” (Stonebreaker)
2025

DDes Research Fellowship Award
College of Design, North Carolina State University
2025, 2024

Exhibition
Brand New Conference, Salt Lake City, UT (Campaign for the Houston Symphony)
2024

Featured
Brand New, “Houston Symphony Identity Re-Design”
2022

Featured
Brand New, Year in Review: The Best in Icons (Monograms), Houston Symphony ranked #2 globally
2022

University Graduate Fellowship
Graduate School, North Carolina State University
2021

Best of Home (A Golden State)
Shopping & Other Markets, Dieline Awards
2021

3rd Place, Tobacco & Cannabis Packaging (A Golden State), Dieline Awards
2021

American Graphic Design Award™
GDUSA, “Under the Influence—Enter the Void”
2019

Silver
Graphis Design Annual, “Protect Our Winters, The Devil’s Crotch”
2019

Featured
Lürzer’s Archive, “Protect Our Winters, The Devil’s Crotch”
2018

Packaging Design Award
GDUSA, “Sunny Rain, Odell Brewing”
2018

American Graphic Design Award™
GDUSA, “Price of Values”
2018

Winner (Man Therapy, Colorado Lottery)
Ad Club Denver, The 50 Gala
2018

Students to Watch (VCFA)
GDUSA
2018

AIGA Award
AIGA Vermont
2017

Gold (Lyra Health) + Silver (Man Therapy Website)
The One Club for Creativity, One Show Denver
2017

Winner, Ad Club Denver
The 50 Gala (Various campaigns: Colorado Lottery (Atari TV), Applejack (Rebrand), Denver Health (Branding), Devil’s Crotch (Illustration))
2016

Robert Taylor Scholarship
AIGA Colorado
2014
                 




This site is a public index. 

If you want a tailored selection of work, tuned to your context, please contact me. I've learned that showing everything is easy; showing the right things is the work.

Type set in Marist by Dinamo. Built on Cargo. Support from Snacks Studio.

©Shruthi Manjula Balakrishna. 







Current as of March 2026



I.00.00
Index Note
Working drafts · Open files · Archived

Design as Inquiry is a public index of working notes, including short essays, reports, and experiments in progress. No case studies; just the thinking that makes the practice behave. 

Practice lives next door




I.01.03
HOSPITALITY AS PEDAGOGY

Published


I.02.11
The printed menu as an object of trust

Not yet published


I.02.07
QR menus and the aesthetic of efficiency

Not yet published


I.03.02

Post-crisis consumption: early signals

Not yet published


I.04.06

Quiet branding: what holds when nobody’s looking

In queue


I.02.19Ambience as collateral: the phone on the table

In queue


I.04.02Material tests as decision-making

In queue


I.05.01Index: references, books, talks, artefacts

In queue


I.02.04A manifesto about originality

Withdrawn